Made With Luminar: Visitation Stones

This original file was taken at the Cambridge American Cemetery in February of 2019:

ISO 400 f/11 1/2500sec 55mm

The edited version starts with a crop. Then I made adjustments to the whites, blacks and shadows. I used sliders to enhance the sky, small details, and luminance. I then applied the Luminar Look, Autumn Colors, set at 78%. The final step was a vignette:

ISO 400 f/11 1/2500sec 55mm

The Made with Luminar Series

This image is part of a project I am calling Made with Luminar. What the images in this series have in common is the software used to edit them, Luminar 3. As with my usual blog posts particulars of the camera settings can be found in the caption below the image. I’ll then explain what other filters and edits have been applied, often mentioning what layer and therefore order that they were applied. The text of these posts include any Luminar “Looks” that have been applied to the photo. Each look is a series of presets that are applied to the photo. Where applicable I will mention what changes I have made to any of the looks. A full explanation of looks is available here on their website, https://skylum.com/luminar/user-guides/chapter-14-working-with-luminar-looks

You can assume basic edits have been applied. My most common edits are cropping, detail enhancement, and vignette. Specific questions or thoughts on the image are welcome in the comment section below.

Cheers!

The edit is also available on Picfair.

What I Am Working On: Creating A Look

Photographers often are particularly opinionated about the camera brand they use. When my Canon 50D started to go, I was in the market to replace it and was looking at the Canon 80D and a comparable Fuji model. My ultimate choice was the 80D because it felt familiar and also because my lenses fit that body.

I’m happy with my 80D. One of the things l like most about it over the 50D is that it weighs less. I still think about the Fuji though and specifically one of the selling points, their film simulation modes. An overview of what film simulations are is here, but basically, you to take a photo and it gets processed in-camera to a specific film style. I really like the looks Fuji have created.

So what’s a gal with a Canon to do? Well, I did two things. One was to find some Luminar Looks that I could add to my Luminar editing software that would allow me to create the look I wanted in the post-processing phase. I wrote about it a bit in this post from last week, but also I should add that I found those looks here.

But then there was a second thing I created, and that was my own custom shooting modes that I programmed into my Canon. I began by experimenting with what Canon calls picture styles. Those are basically just different combinations of settings that will give you different looks. I found a stash of ready-made ones here. From those I picked two that were close to the two Fuji styles I was interested in imitating, Classic Chome and ACROS +Yellow. With those two that were similar, I took a bunch of photos and continued to fiddle with the settings. Once I was happy with my two new modes of shooting I saved each as a custom shooting mode, details of how to do that are here. This process took several hours once you factor in the research and the experimentation.

Then it was time to take my new Fuji inspired settings for a test run in my Canon. On my Classic Chrome setting, I took this shot:

ISO 320 f/9 1/500sec 0.3ev 44mm

And then with a few edits in Luminar:

ISO 320 f/9 1/500sec 0.3ev 44mm

My ACROS +Yellow attempt is this one:

ISO 800 f/5.6 1/640sec 55mm

I’m happy with these results. I do realise that they are not exact replicas of the Fuji Film Simulation modes, but to be honest, even if I had that camera I would probably still fiddle with the settings and come up with something similar but not exactly what the camera was offering. Your comments or questions about my methods or results are welcome below.

Cheers!

Added to Lens-Artists Photo Challenge, Inspiration.

PS-Did you spot the Bald Eagle?